Friday, April 30, 2010
Thursday, April 29, 2010
Though His Name Is Infinite, My Father Is Asleep
by Larry Levis
When my father disappeared,
He did not go into hiding.
In old age, he was infinite,
So where could he hide? No,
He went into his name,
He went into his name, & into
The way two words keep house,
Each syllable swept clean
Again when you say them;
That's how my father left,
And that's how my father went
Out of his house, forever.
Imagine a house without words,
The family speechless for once
At the kitchen table, & all night
A hard wind ruining
The mottled skin of plums
In the orchard, & no one
Lifting a finger to stop it.
But imagine no word for "house,"
Or wind in a bare place always,
And soon it will all disappear--
Brick, & stone, & wood--all three
Are wind when you can't say
"House," & know, anymore, what it is.
Say Father, then, to no one,
Or say my father was, himself,
A house, or say each word's a house,
Some lit & some abandoned.
Then go one step further,
And say a name is a home,
As remote & as intimate.
Say home, then, or say, "I'll
Never go home again," or say,
Years later, with that baffled
Ironic smile, "I'm on my way
Home," or say as he did not,
"I'm going into my name."
Go further; take a chance, & say
A name is infinite. Repeat all
The names you know, all
The names you've ever heard,
The living & the dead, the precise
Light snow of their syllables.
Say your own name, or say
A last name, say mine, say his,
Say a name so old and frayed
By common use it's lost
All meaning now, & sounds
Like a house being swept out,
Like wind where there's no house.
Say finally there is no way
To document this, or describe
The passing of a father, that
Faint scent of time, or how
He swore delicately, quickly
Against it without ever appearing
To hurry the ceremony of swearing.
And say, too, how you disliked
And loved him, how he stays up
All night now in two words,
How his worn out, infinite name
Outwits death when you say it.
And say finally how the things
He had to do for you
Humiliated him until
He could not get his breath, & say
How much they mattered, how
Necessary he was. And then,
Before sleep, admit, also,
That his name is nothing,
Light as three syllables,
Lighter than pain or art, lighter
Than history, & tell how two words,
That mean nothing to anyone
Else, once meant a world
To you; how sometimes, even you,
In the sweep of those syllables,
Wind, crushed bone, & ashes--
Begin to live again.
When my father disappeared,
He did not go into hiding.
In old age, he was infinite,
So where could he hide? No,
He went into his name,
He went into his name, & into
The way two words keep house,
Each syllable swept clean
Again when you say them;
That's how my father left,
And that's how my father went
Out of his house, forever.
Imagine a house without words,
The family speechless for once
At the kitchen table, & all night
A hard wind ruining
The mottled skin of plums
In the orchard, & no one
Lifting a finger to stop it.
But imagine no word for "house,"
Or wind in a bare place always,
And soon it will all disappear--
Brick, & stone, & wood--all three
Are wind when you can't say
"House," & know, anymore, what it is.
Say Father, then, to no one,
Or say my father was, himself,
A house, or say each word's a house,
Some lit & some abandoned.
Then go one step further,
And say a name is a home,
As remote & as intimate.
Say home, then, or say, "I'll
Never go home again," or say,
Years later, with that baffled
Ironic smile, "I'm on my way
Home," or say as he did not,
"I'm going into my name."
Go further; take a chance, & say
A name is infinite. Repeat all
The names you know, all
The names you've ever heard,
The living & the dead, the precise
Light snow of their syllables.
Say your own name, or say
A last name, say mine, say his,
Say a name so old and frayed
By common use it's lost
All meaning now, & sounds
Like a house being swept out,
Like wind where there's no house.
Say finally there is no way
To document this, or describe
The passing of a father, that
Faint scent of time, or how
He swore delicately, quickly
Against it without ever appearing
To hurry the ceremony of swearing.
And say, too, how you disliked
And loved him, how he stays up
All night now in two words,
How his worn out, infinite name
Outwits death when you say it.
And say finally how the things
He had to do for you
Humiliated him until
He could not get his breath, & say
How much they mattered, how
Necessary he was. And then,
Before sleep, admit, also,
That his name is nothing,
Light as three syllables,
Lighter than pain or art, lighter
Than history, & tell how two words,
That mean nothing to anyone
Else, once meant a world
To you; how sometimes, even you,
In the sweep of those syllables,
Wind, crushed bone, & ashes--
Begin to live again.
Wednesday, April 28, 2010
As You Walk Away
{poem was here}
Tuesday, April 27, 2010
The Ache of Marriage
by Denise Levertov
The ache of marriage:
thigh and tongue, beloved,
are heavy with it,
it throbs in the teeth
We look for communion
and are turned away, beloved,
each and each
It is leviathan and we
in its belly
looking for joy, some joy
not to be known outside it
two by two in the ark of
the ache of it
The ache of marriage:
thigh and tongue, beloved,
are heavy with it,
it throbs in the teeth
We look for communion
and are turned away, beloved,
each and each
It is leviathan and we
in its belly
looking for joy, some joy
not to be known outside it
two by two in the ark of
the ache of it
Monday, April 26, 2010
Sunday, April 25, 2010
Just This
by W.S. Merwin
When I think of the patience I have had
back in the dark before I remember
or knew it was night until the light came
all at once at the speed it was born to
with all the time in the world to fly through
not concerned about ever arriving
and then the gathering of the first stars
unhurried in their flowering spaces
and far into the story the planets
cooling slowly and the ages of rain
then the seas starting to bear memory
the gaze of the first cell at its waking
how did this haste begin this little time
at any time this reading by lightning
scarcely a word this nothing this heaven
When I think of the patience I have had
back in the dark before I remember
or knew it was night until the light came
all at once at the speed it was born to
with all the time in the world to fly through
not concerned about ever arriving
and then the gathering of the first stars
unhurried in their flowering spaces
and far into the story the planets
cooling slowly and the ages of rain
then the seas starting to bear memory
the gaze of the first cell at its waking
how did this haste begin this little time
at any time this reading by lightning
scarcely a word this nothing this heaven
Saturday, April 24, 2010
Youth
by W.S. Merwin
Through all of youth I was looking for you
without knowing what I was looking for
or what to call you I think I did not
even know I was looking how would I
have known you when I saw you as I did
time after time when you appeared to me
as you did naked offering yourself
entirely at that moment and you let
me breathe you touch you taste you knowing
no more than I did and only when I
began to think of losing you did I
recognize you when you were already
part memory part distance remaining
mine in the ways that I learn to miss you
from what we cannot hold the stars are made
Through all of youth I was looking for you
without knowing what I was looking for
or what to call you I think I did not
even know I was looking how would I
have known you when I saw you as I did
time after time when you appeared to me
as you did naked offering yourself
entirely at that moment and you let
me breathe you touch you taste you knowing
no more than I did and only when I
began to think of losing you did I
recognize you when you were already
part memory part distance remaining
mine in the ways that I learn to miss you
from what we cannot hold the stars are made
Friday, April 23, 2010
The Gentle Surgury
by Malachi Black
Once more the bright blade of a morning breeze
glides almost too easily through me,
and from the scuffle I’ve been sutured to
some flap of me is freed: I am severed
like a simile: an honest tenor
trembling toward the vehicle I mean
to be: a blackbird licking half-notes
from the muscled, sap-damp branches
of the sugar maple tree… though I am still
a part of any part of every particle
of me, though I’ll be softly reconstructed
by the white gloves of metonymy,
I grieve: there is no feeling in a cut
that doesn’t heal a bit too much.
Once more the bright blade of a morning breeze
glides almost too easily through me,
and from the scuffle I’ve been sutured to
some flap of me is freed: I am severed
like a simile: an honest tenor
trembling toward the vehicle I mean
to be: a blackbird licking half-notes
from the muscled, sap-damp branches
of the sugar maple tree… though I am still
a part of any part of every particle
of me, though I’ll be softly reconstructed
by the white gloves of metonymy,
I grieve: there is no feeling in a cut
that doesn’t heal a bit too much.
Thursday, April 22, 2010
Wednesday, April 21, 2010
Hurricane
by Yona Harvey
Four tickets left, I let her go --
Firstborn into a hurricane.
I thought she escaped
The floodwaters. No -- but her
Head is empty of the drowned
For now -- though she took
Her first breath below sea level.
Ahhh awe & aw
Mama, let me go -- she speaks
What every smart child knows --
To get grown you unlatch
Your hands from the grown
& up & up & up & up
She turns—latched in the seat
Of a hurricane. You let
Your girl what? You let
Your girl what?
I did so she do I did
so she do so --
Girl, you can ride
A hurricane & she do
& she do & she do & she do
She do make my river
An ocean. Memorial,
Baptist, Protestant birth -- my girl
Walked away from a hurricane.
& she do & she do & she do & she do
She do take my hand a while longer.
The haunts in my pocket
I’ll keep to a hum: Katrina was
a woman I knew. When you were
an infant she rained on you & she
do & she do & she do & she do
Four tickets left, I let her go --
Firstborn into a hurricane.
I thought she escaped
The floodwaters. No -- but her
Head is empty of the drowned
For now -- though she took
Her first breath below sea level.
Ahhh awe & aw
Mama, let me go -- she speaks
What every smart child knows --
To get grown you unlatch
Your hands from the grown
& up & up & up & up
She turns—latched in the seat
Of a hurricane. You let
Your girl what? You let
Your girl what?
I did so she do I did
so she do so --
Girl, you can ride
A hurricane & she do
& she do & she do & she do
She do make my river
An ocean. Memorial,
Baptist, Protestant birth -- my girl
Walked away from a hurricane.
& she do & she do & she do & she do
She do take my hand a while longer.
The haunts in my pocket
I’ll keep to a hum: Katrina was
a woman I knew. When you were
an infant she rained on you & she
do & she do & she do & she do
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